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Entertainment

Ranbir Kapoor calls out ‘CGI critics’ for criticising Ramayana’s VFX while watching trailer on phone: ‘It’s quite funny’

Ranbir Kapoor expressed concerns over public criticism of CGI in Ramayana, emphasising the extensive work by artists. 

Ranbir Kapoor calls out ‘CGI critics’ for criticising Ramayana’s VFX while watching trailer on phone: ‘It’s quite funny’

Source: www.hindustantimes.com

Introduction

Bollywood superstar Ranbir Kapoor has publicly addressed the ongoing discourse surrounding the visual effects in his upcoming project, Ramayana. The actor recently weighed in on the trend of audiences offering harsh critiques of high-budget CGI work while viewing promotional trailers on small mobile screens.

In a candid response to the skepticism, Kapoor defended the labor-intensive efforts of the technical teams involved in the production. By highlighting the disparity between cinematic intent and mobile consumption, the actor suggested that viewers often lack the appropriate medium to judge the quality of modern visual effects.

What Happened

The controversy stems from vocal online feedback regarding the CGI quality showcased in the Ramayana trailer. Social media platforms have become hubs for viewers to dissect the technical execution of the film's visual sequences, often leading to polarized opinions before the movie has even hit the big screen.

Ranbir Kapoor characterized the trend of these "CGI critics" as "quite funny" during his recent remarks. He pointed out the irony of individuals forming definitive judgments about complex visual artistry based on the limited display capabilities of a smartphone screen, which rarely captures the nuances of professional-grade production design.

Background

The production of Ramayana has been subject to intense public scrutiny, a common occurrence for major Indian cinematic endeavors that rely heavily on computer-generated imagery. As studios push for higher visual standards, the pressure on visual effects artists to deliver flawless results under tight production schedules has increased significantly.

Kapoor’s comments serve as a defense of these artisans, who often spend months, if not years, crafting individual scenes. By bringing attention to the disconnect between the creators' vision and the audience's viewing habits, the actor aims to shift the narrative toward a more nuanced appreciation of the craft.

Key Details

The core of the issue involves the technical limitations of consumer mobile devices versus the high-fidelity environments of professional theaters. Kapoor’s stance underscores a growing frustration among industry professionals regarding the "instant reaction" culture prevalent on modern social media platforms.

Category Details
Subject Critique of CGI in Ramayana
Primary Critic Ranbir Kapoor
Context of Critique Audience feedback via mobile devices
Actor's Stance Defense of visual effects artists

Impact

This dialogue highlights a broader shift in how major motion pictures are marketed and received in the digital age. When high-budget trailers are released, they are immediately subjected to frame-by-frame analysis by internet users, which can influence public perception long before the film's theatrical release.

For high-profile projects like Ramayana, these initial waves of criticism can create a challenging PR environment. By addressing the absurdity of judging high-end VFX on a handheld device, Kapoor is attempting to manage expectations and steer the conversation toward the intended cinematic experience.

What Happens Next

As the film moves closer to its official release, the industry will be watching to see if the final product silences the detractors. The debate regarding the efficacy of CGI in Indian cinema is unlikely to dissipate, particularly as audiences continue to expect Hollywood-level polish from domestic studios.

Future promotional activities for Ramayana will likely continue to emphasize the scale and scope of the production. Whether this preemptive defense from the lead actor will change the nature of online discourse remains to be seen, but it has certainly highlighted the tension between digital-first consumption and the traditional theatrical experience.

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